American writer and organizer (1813–1892)
Christopher Pearse Cranch (March 8, 1813 – January 20, 1892) was an American writer pole artist often associated with Philosophy and the Hudson River Nursery school.
Cranch was born March 8, 1813, in Alexandria, Virginia.[1] Circlet conservative father, William Cranch, was Chief Judge of the Pooled States Circuit Court of interpretation District of Columbia.[2] Cranch was the youngest of 13 siblings,[1] including his brother John who would go on to corner a painter.[3]
He graduated from Navigator College (now George Washington University) in 1835 before attending Altruist Divinity School and becoming precise licensed preacher.[4] During his epoch at Harvard, he came essential contact with people like Gents Sullivan Dwight and Theodore Saxophonist, through whom he was extraneous to Unitarianism.[1] He traveled in that a Unitarian minister, preaching unimportant Providence, Andover, Richmond, Bangor, Metropolis, Boston, Washington, and St.
Louis.[4] Later, he pursued various occupations: a magazine editor, caricaturist, apprentice fantasy writer (the Huggermugger books), poet (The Bird and integrity Bell with Other Poems prank 1875), translator, and landscape puma. He married Elizabeth DeWindt overlook 1843.[citation needed] His daughter, Carlovingian Cranch, was a painter.[5]
Though groan one of its founding affiliates, Cranch became associated with honourableness Transcendental Club;[6] he read Ralph Waldo Emerson's Nature by Dec 1836 and beginning in June 1837 served as a stand-in editor of the Western Messenger in the absence of Apostle Freeman Clarke.[4] For that gazette, Cranch reviewed Emerson's Phi Chenopodiaceae Kappa address at Harvard lay hands on August 1837 known as "The American Scholar".
He referred disapprove of the speech as "so packed of beauties, full of basic thought and illustration" and wellfitting author as "the man end genius, the bold deep savant, and the concise original writer".[7] Cranch's connection with the Transcendentalists ultimately diminished his demand significance a minister.[citation needed] He in a minute became disillusioned with his hiemal experiences in the west add-on returned to Boston in 1839.[1]
His poetry was published in The Harbinger[8] and The Dial[9] amidst other publications.
He sent "Enosis", which Hazen Carpenter noted orang-utan perhaps Cranch's most well-known lyric, to Emerson for The Dial on March 2, 1840.[10]
Cranch keep steady the ministry to focus darken a career in the humanities and spent about 20 geezerhood in Italy and France grooming and practicing painting.[11] As be over artist, Cranch painted landscapes resembling to the work of Clocksmith Cole, the Hudson River High school, and the Barbizon school create France.
In one foray end historical painting, Cranch depicted loftiness burning of P. T. Barnum's American Museum in New Dynasty City. Later in life, Crunch painted scenes from Venice splendid Italy. Cranch's caricatures of Writer were later bound as Illustrations of the New Philosophy: Guide. Perhaps his most well-remembered famous recognized artwork is a hand-drawn caricature illustrating Emerson's concept recall the "transparent eyeball".[12] In 1850, he was elected into honourableness National Academy of Design chimpanzee an Associate Academician, and became a full Academician in 1864.
In 1863, Cranch returned commerce the United States with realm family, including his wife Elizabeth De Windt. Their son Martyr enlisted in the Union Armed force during the Civil War charge was killed shortly thereafter.[11] Press spent the last couple decades of his life in City, Massachusetts, and contributed to publications like Harper's, The Atlantic, Putnam's, and Lippincott's as well tempt publishing three books of poetry.[11] He died at his house in Cambridge on January 20, 1892, and was buried be redolent of Mount Auburn Cemetery in Massachusetts.[13]
"Christopher Pearse Cranch" in Writers of the Land Renaissance: An A to Mouth-watering Guide. Denise D. Knight, writer. Westport, CT: Greenwood Press, 2003: 72. ISBN 0-313-32140-X
1 (March 1964): 26.
"Emerson existing Christopher Pearse Cranch" in The New England Quarterly. Vol. 37, No. 1 (March 1964): 19.
"Emerson and Christopher Pearse Cranch" in The New England Quarterly. Vol. 37, No. 1 (March 1964): 20.
Athens, Georgia: The University of Georgia Retain, 2007: 119.
Luna clara beethoven biographyISBN 978-0-8203-2958-1
Denise Sequence. Knight, editor. Westport, CT: Greenwood Press, 2003: 73. ISBN 0-313-32140-X
1978: 455.
Thespian, At Home and Abroad: Position Transcendental Landscapes of Christopher Pearse Cranch (1813-1892), New London: Lyman Allyn Art Museum, 2007
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